The exhibition at the Fondation Louis Vuitton beautifully captures the synergy between Basquiat’s expressive style and Warhol’s pop sensibility. Their collaborative works reveal a fusion of their distinct approaches, creating a new visual language that challenges conventional art boundaries. Despite—or perhaps because of—their groundbreaking work, the relationship between Basquiat and Warhol was viewed through various lenses. Some critics saw it as mutually exploitative; Warhol needed Basquiat’s fresh perspective to rejuvenate his career, while Basquiat sought Warhol’s fame to cement his status in the art world.
Read MoreDarlings, we continue our Empress Eugenie spotlight by whisking you away on a grand tour of Empress Eugénie's sumptuous residences and her exquisite influence on the decorative arts!
Picture this: It's the height of the Second Empire, and our Adventuress is not just any empress - she's the arbiter of taste, the queen of style, the embodiment of 19th-century chic! Her influence on the decorative arts was so profound, that it would make Marie Antoinette's ghost weep with envy.
Read MorePicture this: It's 1854, and Paris is positively buzzing with the rustle of silk and the salacious whispers of court gossip. Our heroine, the ravishing Spanish-born Eugénie, has just pulled off the social coup of the century - marrying Emperor Napoleon III himself!
But what's a newly minted empress to do with a wardrobe that could clothe a small army and no proper way to transport it? Enter our dashing young malletier, Louis Vuitton.Back in 1854, when Vuitton first established himself as a malletier (trunk-maker) on Rue Neuve des Capucines in Paris, he was charged not only with crafting the Empress's luggage but with filling it too....This week on HIGH SOCIETEA X THE CURIO AESTHETE
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